Wednesday, December 15, 2010

Givenchy - Campaign Spring / Summer 2010

If Mariacarla is still part of the cast of billboards of his friend Riccardo Tisci, is not it that is noticed first on the shooting of the season spring / summer 2010 by Givenchy. With his angelic little face and her aura of light, Natalia Vodianova had a tendency to focus all our attention ...



Face of Guerlain, a stylist for Etam, model shows the most bankable ... Natalia Vodianova not idle. Here it is also posing today under the lens of photographers Mert Alas and Marcus Piggott for Givenchy last season.

More accustomed to gaze at the beauty Tisci for shadowy Leonor Scherrer, the choice of Natalia Vodianova we appeared, at first, somewhat surprising. But it was not counting on the metamorphosis of the latter that by opting for a glossy brown, oval to offer its naive unsuspected force. Piercing eyes and rigid pose and give the young mother looks more cold than usual, but that does not serve in any way its obvious beauty ...



As the message circulated by the campaign, it is quite clear: this summer, it will - if you want to keep up with one that never ceases to enchant critics - focus on the contrasts of color and dare the all-over print.

When spring comes, we think therefore morning our chiffon dresses with a pair of snow licorice and offset our carbon combinations of a formal white jacket, and we will not hesitate to adopt the reasons ikats mode mini-skirt. For their part, black and white stripes daring the diagonal and horizontal on the same piece may give a new direction in Marine style ...

Givenchy - Campaign fall / winter 2010-2011

Opening the season advertising campaign fall / winter 2010-2011 Givenchy confirms his liking for group photos. However, the house took this time to add a feature that should not leave its customers indifferent ...



"Confusion of Genders" and could have been called the last parade Givenchy. For next winter, Riccardo Tisci has chosen to emphasize the tailoring aspect of her creations, giving his models look more androgynous than usual. It was on this mix of clothing and the sexual ambiguity floating in the zeitgeist that Tisci has decided to focus its advertising campaign.

In addition to making kissing two female models, the designer chose to put the Brazilian transsexual Lea T, Tisci's personal assistant and model at times. Between female figure and aristocratic head carriage, the presence of T Lea on shooting quickly imposed itself as a highlight in the eyes of the designer. She makes it possible to develop its thinking on the concept of masculine / feminine, very present in her collections.

If he is aware that the choice of T Lea cause a stir (especially in clients), the creator wishes to state that this is not a gratuitous act, but a decision position consistent with his creative process at the time.



Note also that Natalia Vodianova's no longer part of the cast, unlike Mariacarla Boscono, who still enjoys the full support of AD Givenchy. At her side, Catherine McNeil and Malgosia Bela attract attention with their hair dyed red that perfectly Givenchy season. McNeil and features a bright auburn and without compromise, while Bella confirmed - after Tavi - the status up-to-date on the pink dye ...

Viewpoint dress code, Riccardo Tisci celebrates minimalism paradoxically not devoid of sophistication, to be infinitely modern ...

Défilé Givenchy - Spring / Summer 2009

Unlike Balenciaga (which continues its ascent toward the stars in us carrying in its wake), the Givenchy fashion show next summer seems a little confused and with no real backbone, leaving us little the wiser ...



Black, black, black ... Riccardo Tisci has clearly found his favorite color. However, if he had succeeded recently to make it exciting, his final collection did not seem sufficiently innovative and desirable to revive the "black magic" of the previous ...

Still, the art sewing, the ability to create strong silhouettes and marriages of materials (under the monochrome look) is always present, the Givenchy show is undoubtedly one of the darlings of the staff of Vogue, who came in numbers attend the presentation.

For this collection, gothic inspirations last winter - materialized by an abundance of mini-chains and crucifixes - have given way to citations from the American West, where style cowboy reigns supreme. Initially, the influence is slowly feel: the costumes coals tend to marshal's uniform, while the tops of some embellishments reminiscent of stylish blouses of the Wild West.



Then the black momentarily gives way to micro translucent chiffon dresses, yellow associated with a chemical from the ease of speech still very dark Tisci. This interlude of lace, transparencies and games Cuts - adorned headbands to Nelly Olson - interrupted by the arrival of sets of time Women in Black gold miners. Breastplates, bow, ribbon and star sheriffs brought in new jewel hype then mark the passages in black and white, very 1850.

Subsequently, Riccardo Tisci seems to have been greatly inspired by the clothing of cowboys. The slim leather and is adorned with cutouts of evoking the pants of the latter, while the blue jeans emerged as the traditional denim jacket, cowboy motifs that seize the skinny tie and the ribbon is worn wide and strass on total looks nude. If all this feels like feature by Delmer Daves' 3:10 to Yuma, "Tisci is no lack of modernization through the whole damn sexy bondage bustiers.



Finally, we will not forget to look carefully shoesesques creations of the collection, the latter having the habit of strongly influence the taste of the fairer fashionista. We therefore noted the presence of soles pointed, zippers, patterns cowboy boots and the zebra print, all on the ankle boots perched high and airy.

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