Sunday, June 13, 2010

Lou Doillon at Vanessa Bruno

On the occasion of his Spring / Summer 2010, Vanessa Bruno meets again the actress Lou Doillon and filmmaker Stephanie Di Giusto, to deliver - in the form of a short film - his vision of the coming season . Highlighting the softness and authenticity of the muse of Parisian label, it is particularly attractive ...

Not easy for Vanessa Bruno to retain a prominent place in the ready-to-wear designer Isabel Marant Frenchy even - and collections of design haloed Emmanuelle Alt - continues to monopolize the fashion scene.

However, the queen of shopping bags will not admit defeat. By focusing on long-term light and timeless chic quickdraw imprint natural, Vanessa Bruno manages to somehow keep the favor of some ladies in showbiz by always moving at fashion weeks to discover the latest collection of brand.

However, if Frederique Bel, Zazie, Virginia and other Efira Axelle Laffont acquired him seem, nothing is ever the case to continue to attract a clientele increasingly fickle as ever requested by claws such as Maje, Pablo, Tara Jarmon and Paul & Joe Sister ...

Now, thanks to mini shorts now an integral part of communicating its brand, Vanessa Bruno gives it a breath of modernity that could well make his image more appealing to the fairer sex.

On camera Stephanie Di Giusto (and a soundtrack of Gonzales), Lou Doillon is by turns playful, melancholic, playful and ultimately infinitely charming. The clothes she wears seem so perfectly suited to both its drives Carioca in its childish desire to jump into the dunes.

Symbol of a free woman, cultivating a certain fragility while assuming the life instincts, the face of Vanessa Bruno gives his poetry a stunning wardrobe, which makes us want to go take a look at the spring collection / Summer 2010 shoe.

Less intuitive than the opus video of Ryan McGinley for Pringle of Scotland, less cryptic than Lara and Baptist robbing a Chanel boutique, but also more commercial than at Prada, the short film by Stephanie Di Giusto has the good taste not not be taken for a work of cinema, while assuming the fact of being a promotional film.

This also gives us much more in the end we want to go to store some videos too conceptual and elitist accompanying campaigns next summer ...